Commentary
To my surprise, the auto union was written out of the picture from the start, as if dramatist Dominique Morisseau saw it as an embarrassment.
Kalinnikov’s First Symphony is one of those neglected works well worth beating a drum for.
Charles Ives continues to stand, after 140-plus years, as the ultimate American Composer.
TV’s The Exorcist reinvents its source material for an occult-savvy (not to mention cinema-savvy) audience.
We have the obligation to look behind the music and the culture that glorified and perpetuated it.
The range of recordings issued this year was remarkable, both in terms of their instrumentation and their artistic inspiration.
A line-up of concerts, performances, and recordings that, as 2017 draws to its close, I can’t, for one reason or many, shake from my memory.
Does anyone really believe that there is no sexual harassment going on in Boston area theater companies today?
These articles dramatize, sadly, who was listened to and who wasn’t when sexual allegations were made against playwright Israel Horovitz in the early ’90s.
Classical Music Commentary: Boston Symphony Orchestra’s 2018-19 Season Announcement
The BSO seems to have taken to heart complaints about its lack of programming diversity, devoting two full programs to underrepresented groups.
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