Commentary

Arts Commentary: The Orchestra Gap — Europe vs. the US

July 27, 2026
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The widening chasm between European and American orchestras is not just a matter of polish, but of style, inheritance, and musical conviction.

The Annual Francis Davis Jazz Critics Poll at Midyear: Warming Up a Riff — How It Happened, and Why It Matters

July 23, 2026
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Few things more clearly attest to the endurance of the human spirit and the drive for creativity than the uninterrupted and unstoppable torrent of brilliant new jazz albums we’ve already seen this year.

The Annual Francis Davis Jazz Critics Poll at Mid-Year: Consensus in Retreat

July 23, 2026
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Tyshawn Sorey tops the Frances Davis Jazz Poll at mid-year, spurring a reflection on signal vs. noise in a crowded jazz landscape.

The Annual Francis Davis Jazz Critics Poll at Mid-Year — The Old World Gets Weirder

July 23, 2026
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Fitting the past into the present: the year (so far) in rara avis (reissues/archival)

Arts Commentary: When Books Become Evidence — Hong Kong’s Raids and the New Global War on Dissent

July 19, 2026
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Every bookshelf becomes a latent crime scene: China’s all-too-familiar totalitarian playbook to encourage self-censorship.

Arts Commentary: Notes on Bob Dylan

July 18, 2026
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A skeptical listener finds phrasing, groove, and quiet authority in an 85-minute Boston set.

Visual Arts Commentary: “America at 250” — Art and Commerce at the MFA

July 17, 2026
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A sprawling 250th‑anniversary display sidles up to hot‑dog branding and influencer playfulness.

Arts Commentary: The Kennedy Center and the Boston Symphony Orchestra — A Tale of Two Crises

June 18, 2026
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A court-ordered reset in Washington and a self-inflicted rupture in Boston expose deeper failures of leadership, transparency, and trust.

Arts Commentary: What Might the Kennedy Center Best Become?

June 14, 2026
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A reconsideration of the Kennedy Center’s unrealized national mission—and what its future could yet hold.

Cultural Commentary: Death by Incorporation — Why Do Bean-Counters Run Arts Boards?

June 7, 2026
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When corporate thinking dominates cultural institutions, the art often pays the price.

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