Commentary
More composers who followed their own distinctive paths when they incorporated jazz into their piano concertos.
Where are the theaters that are bold enough to stage challenging and risky dramas about race? Not just talk the talk.
More composers who followed their own distinctive paths when they incorporated jazz into their piano concertos.
This first group of mavericks all have their roots in the 1920s, but they demonstrate that George Gershwin’s way wasn’t the only way.
New York and Paris both respected innovation, but Paris demanded that the new have a certain style.
There are still some places where the genius of George Gershwin is underappreciated, and regrettably, they include most of the concert halls in his home country.
My data might be depressing for anyone who wants a lot of novelty in the concert hall. But I found that some orchestras are taking more risks than the pessimists say.
Gradually, Clark Terry developed on the trumpet the rounded, full tone that became so distinctive.
To call the American Visionary Art Museum quirky would be an understatement: therein lies its charm as well as one of the reason for its success, even in economic hard times.
Book Review: “Erebus” — A Brilliant Hybrid That Bears Witness to Tragedy
Erebus is wonderful, original book that defies categorization.
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