Commentary
Sometimes using the Twitter handle #itsokKimNovak, at other times just linking to Laura Lipmann’s Facebook page, women – primarily writers and our friends – have started posting our own “raw” photos.
The LP format has had mobs of claims made about it over the years, some silly, some solid. As an old platter-flipper pro, here’s my take on some of them.
Arts Fuse writer Tim Jackson recalls the impact of being in the audience of the “Ed Sullivan Show” fifty years ago.
One of the more fascinating contributions Pete Seeger made to our collective musical sensibility was the effortless way in which he introduced what we now call “world music” to his audiences.
The major film companies must divest themselves of their independent arms (which are anything but independent) and allow a return to the system that was in place for decades until greed and cinematic carpet bagging crushed it.
The nominees for Best Picture are a deserving lot, except for “The Wolf of Wall Street,” which is a bloated mess of a movie that is an hour too long .
“Criticism will always have the force of the child in the story about the emperor’s new clothes, because there will always be naked emperors who everybody says are wearing today’s Crown Jewels.” — Eric Bentley
Brian Carpenter and the Ghost Train Orchestra are not about re-creating either hot jazz from the ’20s or novelty works from the ’30s and ’40s. They’re interested in capturing the spirit that they perceive to be inside these almost-forgotten pieces and using that spirit to make original new music.
Without its many steamy lesbian sex interludes tarting up what could otherwise be classified as a routine narrative, would “Blue is the Warmest Color” have garnered so many rave reviews and prizes?
Classical Music Commentary: Boston Symphony Orchestra Season 2014-15 — A Jolt of Energy and Stability
Most of the programs during BSO conductor Andris Nelsons’ ten subscription weeks look fresh and, if not outright adventurous, on paper they at least look more exciting than not.
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