Commentary
“With Cream I and Ginger could play free jazz as a rhythm section, while Eric played the Ornette Coleman role. However, we didn’t tell Eric that!”
What we seem to have here is one of the glories of our democracy in action: the blind leading the oblivious; aping distortions and downright falsehoods about the opera.
Patrick Modiano’s simple sentences pull one in; the nostalgia of loss and pain of youth and the hunt for a vague, romantic Other are easy to relate to.
The Lawn on D is a breath of fresh cultural air in Boston.
On the surface, this is a deal that lets both sides go forward having saved face, though a closer look at things suggests that the musicians came out ahead.
The establishment of Design Museum Boston is long overdue.
Fighting for the intellectual integrity and independence of arts reviews means demanding more analysis and less sales talk.
Theater Commentary: Is a Five-Year-Old Tony Kushner Play Too Challenging For Boston?
The only Boston-based companies that have the means to stage an epic on this scale will shy away from the content while those adventurous enough to handle its iconoclasm lack the means.
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