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“Lisa Frankenstein” is the first delightful surprise of 2024, destined for weird girl slumber party greatness in a few years time.
The plight of refugees is given a fairy-tale treatment in “Io Capitano.”
The performance conveyed the essence of the Du Bois Orchestra’s mission: when played with exuberance, long-neglected and little-played works can generate as much excitement as they do wonder that they were ever overlooked.
Must the stage only discreetly charm the bourgeoisie?
For years now, Cowboy Junkies has been bringing its brand of contemplative, atmospheric rock ’n’ roll into a patchwork of independent venues in our region.
Have a laugh as you read these charmingly funny picture books with your child.
A welcome addition to the absurdist satire genre of rapper-turned-comedian.
Even without international-caliber singers and players, Giovanni Piaisello’s “Amor vendicato” works much magic.
The musical’s focus on truth in journalism resonates in our post-2016, “fake news,” and Artificial Intelligence-saturated environment.
A 100-year-old novel provides the basis for some sumptuous moviegoing.
Classical Music Commentary: What’s Next for the Boston Symphony? — Lessons from the Past