Scott McLennan
Count on Lukas Nelson + POTR to approach whatever they perform with conviction
Songs were wholesale rearranged, and, most strikingly, Bob Dylan was a commanding presence at the baby grand piano for an 18-song, nearly two-hour set.
To this day, attend any metal or heavy-music show in the Northeast and you are bound to see someone sporting a t-shirt or hoodie emblazoned with the iconic Sam Black Church cross-on-triangle logo.
The bottom line: the Tedeschi Trucks Band proved that the group, and its hybrid of classic rock, soul, blues, and jazz, could rule on arena stages.
Susan Tedeschi has developed a way to assert her powerhouse presence without upending the overall balance of the big band.
Refusing to bow to conventional expectations of aging is just one more outlaw accomplishment that is part of Willie Nelson’s incredible legacy.
“I always thought this would last six months,” confesses Melvins guitarist, singer, and songwriter Buzz Osborne. “You really can’t count on anything.”
“I just want to fly my kite like everyone else. I’m not interested in being the greatest. That sounds like an awful ball and chain. I love the freedom that I have.”
Karina Rykman’s rookie recored, “Joyride,” delivers a beguiling blend of pop smarts and psychedelic proclivities.
Peter Rowan’s far-reaching view of bluegrass is inspired by his deft intertwining of music and spirituality.
Arts Commentary: The Orchestra Gap — Europe vs. the US