Scott McLennan
Bottom line: “Live at the Montreux Jazz Festival 2023” captures the manic, mercurial energy that transformed the man born James Osterberg into the legend that is Iggy Pop.
For the moment, bassist/ singer/songwriter Karina Rykman is pleased to be “riding an insane wave of adrenaline.”
In this overstuffed show, Sturgill Simpson presented himself as someone who, after too long away from the stage, was back because he was in love with playing for the sake of playing.
“We want everyone to come and let out a primal scream,” said Amanda Palmer of the Dresden Dolls.
Thanks in large part to the late Phil Lesh’s influence, the performances of the Grateful Dead developed a signature blend of composition and improvisation.
Tedeschi Trucks Band demonstrated the difference between actively engaging in a musical tradition versus paying tribute to it.
This year’s edition of Metalfest matched the fabled fests of yore – a point not lost on many of the bands that performed, many of them making note on stage that the metal world had somehow been made right again.
In performance, singer Sierra Ferrell offered a more expansive vision of her spirited and spiritual approach to country music.
This unconventional memoir suggests that music can do more than just change ideas or beliefs — it can transform minds, overhaul brains.
Returning to Gillette Stadium in Foxborough on Thursday night, the Rolling Stones, miraculously, sounded dangerous again.
Arts Commentary: The Orchestra Gap — Europe vs. the US