Scott McLennan
This unconventional memoir suggests that music can do more than just change ideas or beliefs — it can transform minds, overhaul brains.
Returning to Gillette Stadium in Foxborough on Thursday night, the Rolling Stones, miraculously, sounded dangerous again.
This month, the veteran guitarist, singer, and songwriter released his first solo album, 99 Shots, and found himself leaning in a direction he had spent decades avoiding.
Over the course of Neil Young and Crazy Horse’s two-hour show the tension between magnificent creativity and near collapse were palpable.
A powerful performer and artist emerges in this ambitious album about being publicly ostracized and maligned — and coming back stronger.
Sessanta succeeded in making “old” songs and “old” bands sound powerful, vital, and progressive.
The Disco Biscuits are playing champion-level shows following a period of rebuilding and recalibrating that brought the band out of semi-retirement.
“Swingin’ Live at the Church in Tulsa” is a snapshot of a vibrant octogenarian artist who is still moving forward.
The Disco Biscuits improvisations are not driven by a guitar-rock root: they are more apt to dive into a piece of classical music and then ease into a propulsive dance-club beat that eventually swerves into Zappa-style brainy grime.
For years now, Cowboy Junkies has been bringing its brand of contemplative, atmospheric rock ’n’ roll into a patchwork of independent venues in our region.
Recent Comments