Scott McLennan
“Swingin’ Live at the Church in Tulsa” is a snapshot of a vibrant octogenarian artist who is still moving forward.
The Disco Biscuits improvisations are not driven by a guitar-rock root: they are more apt to dive into a piece of classical music and then ease into a propulsive dance-club beat that eventually swerves into Zappa-style brainy grime.
For years now, Cowboy Junkies has been bringing its brand of contemplative, atmospheric rock ’n’ roll into a patchwork of independent venues in our region.
Lespecial proves that not all “jam bands” are simply children of the Dead.
“All The Years Combined” is best approached as yet another voice in the ever burgeoning conversation about the evolution of the Grateful Dead.
Count on Lukas Nelson + POTR to approach whatever they perform with conviction
Songs were wholesale rearranged, and, most strikingly, Bob Dylan was a commanding presence at the baby grand piano for an 18-song, nearly two-hour set.
To this day, attend any metal or heavy-music show in the Northeast and you are bound to see someone sporting a t-shirt or hoodie emblazoned with the iconic Sam Black Church cross-on-triangle logo.
The bottom line: the Tedeschi Trucks Band proved that the group, and its hybrid of classic rock, soul, blues, and jazz, could rule on arena stages.
Susan Tedeschi has developed a way to assert her powerhouse presence without upending the overall balance of the big band.
Arts Commentary: What Might the Kennedy Center Best Become?