Paul Robicheau
On the same week that heavy prog-rockers Tool scored the No. 1 album in the country, it was great to see Jack White let down his wavy black hair, smile a bunch, and kick out the jams with his buddies.
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“It’s not something to be tolerated,” saxophonist Kamasi Washington said. “It’s something to be celebrated.”
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Luke Spiller of the Struts: probably rock’s most commanding frontman since Freddie Mercury, Mick Jagger, and Steven Tyler in their prime.
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When the 80-year-old Judy Collins, who sang at Newport in the 1960s, declares the current weekend to be “historic,” you had to believe her.
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What could have simply passed for a nostalgic classic-rock spin turned out to be an expansive smorgasbord, frustratingly uneven at times, yet given to flashes of fervor and surprise.
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The Rolling Stones were still up there, sounding vital, and that alone delivered satisfaction.
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Saturday’s performance made up for a rain delay withthe longest single set since the band’s millennium-greeting Everglades marathon.
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Wilco went all-in this year for a personal bond, inviting internet-culled winners onstage for live-band karaoke with the group.
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The guy who once seemed dangerous and mysterious as frontman for Jane’s Addiction proved earnestly accessible to fans.
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The best (or worst, depending on your preferences) aspect to Boston Calling has become its attention to youth-centric subcultures that have blown mainstream in DJs/electronic music and hip-hop.
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