Paul Robicheau
At the Leader Bank Pavilion, Perry Farrell was tackled after he pushed and punched guitarist Dave Navarro, abruptly ending the show a few songs early and putting the reunion tour of Jane’s Addiction’s original lineup in limbo.
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Goose’s three nights seemed a bit hit-and-miss, which is not unusual for jam-bands, although that only made highpoints more exhilarating.
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The band’s performance at the Sinclair proved that the Chameleons are back in vintage form.
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Despite the charges of some purists, jazz was alive in the hands of a few veterans at Newport Jazz 2024, as well as newcomers sharing their own voices in the tradition.
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The Newport Folk Festival always pulls off unique, unexpected collaborations, while it embraces a head-spinning lineup of diverse genres that reflects its spirit of community.
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It was a winding, ultimately exhilarating trip that spanned 51 songs, culminating on Sunday in a virtuosic clinic that sealed the quartet’s near-telepathic interplay across prog-leaning classics.
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Despite several great sets including Jason Isbell and Iris DeMent, Wilco stole its own show at Solid Sound with conceptual aplomb.
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Four players bridged divergent worlds and styles from bluegrass and jazz to Indian and Western classical music while taking virtually no time to lock in together.
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Boston Calling has evolved into a smorgasbord of everything from indie to mainstream, from pop to hip-hop to hard rock.
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Umphrey’s McGee’s Um Bowl was an exhaustive two-night series for non-diehards but rollercoaster nirvana for the initiated.
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