Jonathan Blumhofer
John Corigliano’s take on goodbyes is, if not exactly bitter, then full of sorrow: few happy memories to be had here.
Bread-and-butter of the orchestral repertoire though this music may be, there was no complacency to be heard in the orchestra’s playing of it.
Conducting Lumina, Andris Nelsons was entirely in his element, capably drawing out the music’s shimmering gestures — string flourishes, brass fanfares, woodwind filigrees, and the like – from a locked-in BSO.
Pianist Kirill Gerstein’s take on Busoni is exhilarating; the Finnish Radio Symphony Orchestra serves the forceful music of composer Bernd Alois Zimmermann, and violinist Elina Vähälä does right by Szymanowski’s Violin Concerto.
Fine recordings of symphonies by neglected American composers Florence Price and George Antheil; and a curious album from Cornelius Meister and the ORF Radio-Sinfonieorchester Wien.
Richard Muti draws playing of full-blooded passion from Chicago Symphony Orchestra, Thierry Fischer conducts Camille Saint-Saëns with a sure hand, and violinist Tasmin Little’s new recording of neglected violin-and-piano pieces by mid- and late-Romantic women composers is terrific.
Our critic’s year-end tally of the classical albums that, in looking back over 2018, stand tallest – plus a few that didn’t make the bar.
Aequa is one of the year’s standout new-music albums. Philip Glass’s Symphony no. 11 suggests that the veteran composer has more than a few tricks left up his sleeve. And Neave Trio’s Celebrating Piazzolla is a thoroughly delightful, engaging album.
Visions Take Flight is one of those rarest of accomplishments: a contemporary music album that’s a sheer joy to listen to, from start to finish. And John Cage on guitar? Why not?
In Memoriam — Sanford Sylvan (1953-2019)
Hearing Sanford Sylvan sing made one rich: spiritually, emotionally, musically.
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