Jonathan Blumhofer
Aequa is one of the year’s standout new-music albums. Philip Glass’s Symphony no. 11 suggests that the veteran composer has more than a few tricks left up his sleeve. And Neave Trio’s Celebrating Piazzolla is a thoroughly delightful, engaging album.
Visions Take Flight is one of those rarest of accomplishments: a contemporary music album that’s a sheer joy to listen to, from start to finish. And John Cage on guitar? Why not?
An impressive collection of nine new releases (seven of which are reviewed here). While some might not displace the classic recordings of Debussy already out there, this gathering offers some welcome and fresh interpretive contrasts.
Handel & Haydn Society’s Haydn and Mozart is about as good as it gets; Martyn Brabbins’ recording of A Sea Symphony is one of the year’s best releases; and for elegance and technical command, you can’t go wrong with Tilson Thomas and his San Francisco Symphony.
Pianist Jean-Efflam Bavouzet delivers some fine Mozart; conductor Hannu Lintu brings rhythmic energy and textural transparency to the music of Witold Lutoslawski; Ludovic Morlot and the Seattle Symphony Orchestra don’t do right by Berlioz.
American String Quartet’s disc features the premiere recording of Robert Sirota’s String Quartet no. 2, American Pilgrimage.
Without question, this BPYO rendition of Shostakovich Ten was one of the most urgent and necessary of any symphonic score I’ve heard all year.
This was a truly great performance, one that fully suited the BPO’s season-long, dual commemorations.
Next summer promises to be a safe one, musically, at Tanglewood.
As good an interpreter of large-scale forms as he’s becoming, Andris Nelsons has always been a terrific conductor of new music.
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