Jonathan Blumhofer
This is an album of top-notch orchestral playing. Yet the real star is Karina Canellakis.
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In place of coherent, in-depth analysis, the author has provided us with a series of short profiles on various individuals, some of them familiar, others less so. The tack presents problems that can’t be overcome.
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The best items in this all-Mozart album are the concertos.
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Violinist Maria Ioudenitch seems to know how to get directly at the expressive core of this fare without devolving into showboating or histrionics.
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In both performances tempos are fleet but not rushed. The big moments – from the hellish apex of the first movement’s development to the screaming climax of the Scherzo and the cathartic resolution of the finale – pack heavy punches.
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While one is willing to grant a 27-year-old conductor some benefit of the doubt, there’s little here to suggest that the Great Nordic Hope of Classical Music isn’t simply out of his depth.
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This gripping and engaging release from HK Gruber and the Swedish Chamber Orchestra manages to thread the needle between the various strands of Kurt Weill’s musical personality.
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This BBC Symphony Orchestra series, dedicated to Ralph Vaughan Williams’ nine symphonies, comes to a triumphant end with this disc.
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Don’t let the redundancy of much of this album’s repertoire dissuade you. On all the vital metrics, Liebestod delivers
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Music Documentary Review: “Music Under the Swastika” — Uncomfortably Timely
The road to ultimate destruction is lined by spiritual apathy, intellectual carelessness, and moral equivalency.
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