The six pieces hailed from various corners of the country and examined a wide range of expressive and social viewpoints.
Classical CD Reviews: François-Xavier Roth conducts Mahler, Mariss Jansons conducts Schumann & Schubert, and Daniel Lippel plays Steve Reich
François-Xavier Roth’s Mahler offers plenty of personality and ideas; there’s nothing on Mariss Jansons’ disc that’s really worth your time; guitarist Daniel Lippel draws out Steve Reich’s lyrical qualities.
Classical CD Reviews: Petrenko conducts Elgar, Gardner conducts Mendelssohn, and Alain Lefévre’s My Paris Years
Vasily Petrenko’s Elgar disappoints, Edward Gardner’s Mendelssohn excites, and Alain Lefévre’s Paris is delights.
Classical CD Reviews: Jurowski conducts Rachmaninoff, Yiddish Cabaret, and Russian Masquerade
Vladimir Jurowski’s new recording of Rachmaninoff’s Symphony no. 1 is a tightly-played, exciting reading; The Yiddish Cabaret’s only real offense relates to poor labeling; The transcriptions in Russian Masquerade are played with spunk and vitality.
Classical CD Reviews: Theodore Kuchar Collected Recordings, Eduard Strauss Centennial Edition vol. 2, and Railroad Rhythms
Railroad Rhythms is one of the year’s delights: unexpected, well played, and thoroughly charming. Theodore Kuchar is a conductor who seems to know precious few limitations; Eduard Strauss, despite his champions, turns out to have been a competent writer of music for the day.
Classical CD Reviews: Andris Nelsons conducts Shostakovich, Esa-Pekka Salonen’s Cello Concerto, Project W
Arguably, the strongest entry in the BSO’s complete Shostakovich symphony cycle thus far; Esa-Pekka Salonen’s 2016 Cello Concerto is emotionally direct and, at times, simply gorgeous; the resurgence of interest in the music of Boston-educated composer Florence Price is a good thing.
Classical CD Reviews: Stanford’s Mass “Via victrix”, Pablo Heras-Casado conducts Mendelssohn, and Anna Shelest plays Rubinstein
Charles Villiers Stanford’s bold Mass Via victrix is finally heard; Pablo Heras-Casado wraps up his survey of the Mendelssohn symphonies in high style; Anna Shelest completes her performance of Anton Rubinstein piano concertos.
Classical CD Reviews: Music for Horn and Orchestra, Clara Schumann’s Piano Concerto, and the Vienna Philharmonic’s 2019 New Year’s Concert
Markus Maskuniitty’s solo debut recording is stunning, Howard Shelley and the Tasmanian Symphony Orchestra play Clara Schumann’s Piano Concerto with zest, and this is one of the strongestNew Year’s Concerts of the decade from the Vienna Philharmonic.
Classical Music Reviews: The Boston Symphony’s 2018-19 Season-closing Concerts
The final two concerts of the BSO’s season were in the orchestra’s sweet spot.
Concert Music Review: The Boston Philharmonic plays Ives and Mahler
This performance of Ives’ Third was the most welcome entry in the Boston Philharmonic Orchestra’s celebratory season – a beautifully considered, powerfully rendered account of this too-neglected score.