Jonathan Blumhofer
The album is a welcome appendix to the conductor’s admirable symphonic cycle with this orchestra, as well as a timely reminder of Vaughan Williams’ compositional range.
Read More
A three-movement concerto for violin and orchestra, “Dependent Arising” fuses the worlds of heavy metal, punk rock, and 20th-century classical composition into a furious, frenetic, sometimes tortured thirty-minute whole.
Read More
Ultimately, then, we’ve got something special here: a fresh take on some canonic works by a conductor and soloist whose bread-and-butter is this very fare.
Read More
Move over, Beethoven, Rachmaninoff, and Bartók: the pantheon of great Third Piano Concertos is growing.
Read More
This new recording of Charles Villiers Stanford’s”Requiem” by Martyn Brabbins, the City of Birmingham Symphony Orchestra (CBSO), and the University of Birmingham Voices, is beautiful and often memorable.
Read More
An album that does admirable justice to one of the most prolific, significant, and increasingly long-lived composers of a remarkable generation.
Read More
Randall Goosby’s sophomore album proves that the violinist is the real deal.
Read More
This is an album of top-notch orchestral playing. Yet the real star is Karina Canellakis.
Read More
In place of coherent, in-depth analysis, the author has provided us with a series of short profiles on various individuals, some of them familiar, others less so. The tack presents problems that can’t be overcome.
Read More
Commentary: Brandeis University Axes the Arts
Gutting a venerable department – particularly a world-renowned one that, by all accounts, delivers – in the name of belt-tightening is shortsighted and foolish.
Read More