Arts Fuse Editor
In Good Harbor, poet Max Heinegg draws on his gift for lyricism as he considers his family, love, school, and the places he has been.
A subtle, elegant noir mobster film that maintains an aura of tranquility — until the violence begins.
Bad Vegan: Fame. Fraud. Fugitives. falls short because it is designed to be entertaining rather than useful.
Where Roadrunner goes from here remains to be seen, but Billy Strings did his part to open the room with a bang of a blessing.
A varied buffet of fresh musical experiences from recent decades and from the mid-1700s.
Ocean Filibuster draws on a marvelous fusion of myth, song, free verse, and science to explore why we are standing at the frightening edge of the cliff of our planet’s survival.
This staging is a reminder that theater magic is fickle and time-bound — it’s hard to dependably catch lightning in a bottle.
Overall, the ITRL is an improvement over earlier efforts, but it falls short of expectations, particularly when it comes to providing a way into the world of Giovanni Pico della Mirandola for those beginning the journey.
This Netflix thriller takes some interesting twists and turns as it moves along its absurd way.
Author Reconsideration: The A, B, and C of Sue Grafton
The conveniently tidy endings do turn killing into an entertainment. They also allow us to briefly believe in redemption. And that is not the vainest of hopes.
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