Arts Fuse Editor
I wish I could state unequivocally that this is a film perfect for this moment in time, and perhaps it is. But not in a good way.
Graphic novels are wonderfully suited to chronicle the lives and times of artists, designers, architects, and even creative institutions.
Cave In’s new album is more than a return to form — it is a surging breakthrough.
Muse upends convention by examining twenty-nine real life situations that offer a broader, and more generous, view of what a muse can be.
Love on the Spectrum U.S. generates the same joy as its Aussie version: all of the singletons are enormously likable.
With gentle humor and insight, Lea Ypi draws rich portraits of the three caring adults she grew up with in the authoritarian world of her childhood in Albania.
Ozark supplied some vital, if depressing insights, about what liberal Americans really value: money and power, rather than what they say they treasure, family and equality. The catch is that this is no longer news.
I am not sure where the track titles come from, but I am guessing the problems the band had getting together under Covid must have something to do with them.
Ivory is at its best when Omar Apollo fully commits to taking adventures into different sonic spaces.
Music Commentary: The Gershwin Prize and the Rock & Roll Hall of Fame — Selling Out Quality for Profit
Both the Gershwin Prize and the Rock and Roll Hall of Fame exist to glorify popular song. Both, in fairly short order, relaxed their initial high artistic standards.
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