Arts Fuse Editor
This dark and jazzy noir drama would be compelling if it just focused on dramatizing a jazz artist’s quest for artistic perfection.
For all of the music’s fury, protest, anguish, and raw brutality, Tattoo the Earth was a lovefest.
As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
There’s little doubt at this point regarding the 26-year-old guitarist’s talent for pulling multiple influences into one cohesive, original sound.
The Shores of Bohemia is clearly a labor of love, and a worthy one. But John Taylor Williams’ idea of “a group portrait,” however attractive, proves impossible to pull off.
The Rose Kennedy Greenway’s Dewey Square mural program is one of the best in the world.
Action and kids film director George Miller goes the adult fantasy route.
Three recent documentaries explore the worlds of three masters of disparate but complementary art forms: photography and cinema, sculpture and painting, and toilets.
It is always heartening for an album to live up to its much-anticipated buildup. It is even more reassuring that, after nearly four decades, The Goo Goo Dolls are breaking new ground.
Poet John Koethe moralizes in an abstract “universal” space — some might call it versifying in a vacuum.
Recent Comments