Arts Fuse Editor

Concert Review: Richard Thompson — Moments of Sublimity

June 22, 2015
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He came up with one of those transcendent Richard Thompson moments, one to match anything I’ve seen onstage this year.

Fuse Coming Attractions: What Will Light Your Fire This Week

June 21, 2015
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Arts Fuse critics select the best in film, theater, music, dance, visual arts, and author events for the coming week.

Visual Arts Review: The Revelations of Walking — the Photography of Kageyama Kōyō

June 18, 2015
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The best of Kageyama Kōyō’s photography contains a nuanced dramatic power that is both aesthetic and political.

Visual Arts: M.I.T.’s Memorial to Officer Sean Collier — Mundane Rather than Marvelous

June 17, 2015
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M.I.T.’s Sean Collier Memorial does not make a full-bodied artistic statement — it does not elicit a strongly felt aesthetic or visceral reaction.

Visual Arts Review: Photographer Rose Marasco — The Search for Juxtapositions

June 16, 2015
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Rose Marasco’s strong sensibility is always at work, searching for contrasts to capture in her photos.

Concert Review: Paul Weller — No Nostalgia for This Aging Rocker

June 15, 2015
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With most of his contemporaries doing reunion tours or playing decades-old albums, Paul Weller is one of the few claiming his right to be a still-evolving artist.

Fuse Coming Attractions: What Will Light Your Fire This Week

June 15, 2015
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Arts Fuse critics select the best in film, theater, music, dance, visual arts, and author events for the coming week.

Fuse Visual Arts Feature: The Pentalum at Lawn on D — A Marvelously Trippy Light Show

June 11, 2015
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“Pentalum” is an example of soft, temporal architecture: its geometric sculptural forms push against the boundaries of an interactive environmental art installation.

Fuse Coming Attractions: What Will Light Your Fire This Week

June 7, 2015
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Arts Fuse critics select the best in film, theater, music, dance, visual arts, and author events for the coming week.

Film Review: “The Water Diviner” — Starts Out Well But Takes a Dive

June 7, 2015
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Actor Russell Crowe’s directorial debut is visually gripping and very well acted — but its ending is disappointingly hokey.

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