Arts Fuse Editor

Dance Review: Boston Ballet’s “Shades of Sound” — Energetic Versatility

March 24, 2015
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Each piece is so different from the others in Shades of Sound that the evening provides something for everyone, giving the company a chance to showcase its phenomenal technique.

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Film Review: “Winter Sleep” — Epic Lite

March 23, 2015
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Winter Sleep is not the cinematic masterpiece so many have been hailing it to be.

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Fuse Coming Attractions: What Will Light Your Fire This Week

March 22, 2015
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Arts Fuse critics select the best in film, theater, music, dance, visual arts, and author events for the coming week.

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Film Review: ‘Taste of Iceland’ Film Festival — A Delicious Smorgasbord

March 18, 2015
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If these efforts are representative of Icelandic cinema, it is time for movie lovers to start paying much closer attention.

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Rock Interview: Pat DiNizio of the Smithereens, “practically an honorary Boston band”

March 18, 2015
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“The kids in Boston accepted us unconditionally, and we hung out with everyone out there—Barrence Whitfield, the Bristols, the Del Fuegos.”

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Visual Arts Interview: “The Way We Live Now” — Blending Modernist Architecture and Contemporary Art

March 18, 2015
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“Working on The Way We Live Now was a natural process of learning about modernist architecture and the dominating visions of figures such as Le Corbusier, Mies, and Adolf Loos.”

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Book Review: “Happy Are the Happy” — You Can’t Get There from Here

March 17, 2015
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Yasmina Reza’s dollhouse of a novel is a miniaturist’s miracle.

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Fuse Remembrance: Postmodern Master Michael Graves — Architect and Innovative Product Designer

March 16, 2015
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Rejecting unadorned box-like designs, Michael Graves created with patterns, textures, decorations and color in ways large and small.

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Fuse Film Review: “History of Fear” — From Argentina, At High Volume

March 16, 2015
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One leaves History of Fear feeling that the director wants to stir up our anxiety about the omnipresence of fear itself.

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Dance Review: Dorrance Dance’s “Blues Project” — Keeping Tap Alive

March 15, 2015
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Without being at all didactic, Michelle Dorrance reveres tap history by adapting traditional ideas, then resolving them unexpectedly.

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