Arts Fuse Editor
There is no gainsaying that Hard Like Water is, in English, an important book, if only because of its refreshingly sensual vision of the appeal of the Cultural Revolution.
The group’s exuberance makes it easy to like, an enthusiasm that is compounded by the quality of its live shows and its recordings.
Each month, our arts critics — music, book, theater, dance, and visual arts — fire off a few brief reviews.
Undine is a film best savored (and best absorbed) with a second viewing. Viewers must be open to its charms, perhaps allowing memories of the primal to seep into their consciousness.
As we emerge from the pandemic, Rostam’s Changephobia strikes the right healing notes for fatigued ears.
Songs for a New World grapples with the jumble of emotions prompted by the end of the pandemic, while also serving as a potent reminder of what a joyful experience musical theater can be.
There are stunning scenes full of energy and visual beauty, but Halston left me feeling somewhat cold.
“We can, of course, be deceived in many ways. We can be deceived by believing what is untrue, but we certainly are also deceived by not believing what is true.” — Søren Kierkegaard
Accessible to the art-loving novice, Blake Gopnik’s Warhol suggests that his subject’s marketing genius doesn’t have a time limit.
THE ARTS FUSE TURNS 14! — Our Spring Appeal
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