Arts Fuse Editor
The group’s exuberance makes it easy to like, an enthusiasm that is compounded by the quality of its live shows and its recordings.
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Each month, our arts critics — music, book, theater, dance, and visual arts — fire off a few brief reviews.
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Undine is a film best savored (and best absorbed) with a second viewing. Viewers must be open to its charms, perhaps allowing memories of the primal to seep into their consciousness.
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As we emerge from the pandemic, Rostam’s Changephobia strikes the right healing notes for fatigued ears.
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Songs for a New World grapples with the jumble of emotions prompted by the end of the pandemic, while also serving as a potent reminder of what a joyful experience musical theater can be.
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There are stunning scenes full of energy and visual beauty, but Halston left me feeling somewhat cold.
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“We can, of course, be deceived in many ways. We can be deceived by believing what is untrue, but we certainly are also deceived by not believing what is true.” — Søren Kierkegaard
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Accessible to the art-loving novice, Blake Gopnik’s Warhol suggests that his subject’s marketing genius doesn’t have a time limit.
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This fine documentary of a highly respected elder bassist presents a clear, focused picture of a man who is also a jazz musician.
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THE ARTS FUSE TURNS 14! — Our Spring Appeal
Please help us bring the arts and culture community roaring back to life by supporting the magazine and its independent coverage.
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