Arts Fuse Editor
Is Amy Bonnaffons saying that heterosexual love is doomed? Probably not. But she gives no indication it can work in the world she creates here.
As the age of COVID-19 wanes (or waxes?), Arts Fuse critics supply a guide to film, dance, visual art, theater, and music. Please check with venues about whether the event is available by streaming or is in person. More offerings will be added as they come in.
The Temple University students in this fine big band homage to the late saxophonist/composer Jimmy Heath sound professional — tight and well rehearsed. They are joined by all-stars Joey DeFrancesco and Christian McBride.
You would never suspect from this big ol’ rock ’n’ roll show that The Black Crowes was essentially toast just a few years ago.
The bizarre half hour animated comedy is a hilarious love letter to The Windy City.
After having diagnosed the ails of modernity, screamed out his most deeply held traumas, and shrugged off his role in the biggest band ever, John Lennon is content to have a riverside cuddle under a tree in the sun with the woman he loves. Amen.
Amid the political point-scoring, Netflix’s Sex Education remains effervescently charming.
The performance shows generally high competence and comfort, no surprise given that the work is a longtime staple in Croatia: indeed, it is the single most-performed opera in the entire repertory of the Croatian National Theater.
Martyrs Lane doesn’t unfold like a typical ghost story; it’s more of a mystery seen through a child’s eyes.
“In these plays, part of my job is to unflatten history in a way that’s engaging, and also shows us that it’s okay for us to feel overwhelmed and confused and scared by the world — that we’re not so different from the people who came before us. They got through it, and we will, too.”
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