Blake Maddux
The Combat Zone is more than simply a captivating exposition of legal proceedings and adjacent matters. It is an incisive, vivid, jarring, and meticulous account of — as the subtitle says — “murder, race, and Boston’s struggle for justice.”
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“I always wanted to write about abolition, because abolition is the most successful social movement in American history.”
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“Concord was actually surprisingly representative of Massachusetts, New England, and maybe even the North in the 19th century. In learning about Concord, you learn about the making of modern America.”
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The reader comes away from Love’s Next Meeting with an awareness of the rich history of homosexual culture existed long before the Stonewall riots in the summer of ‘69.
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In her new album, Juliana Hatfield’s concerns are comeuppance, self-abasement, and the depravity of those who revel in the power to make decisions that can adversely affect others.
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“Then, as now, my focus was on the songs. As long as you can keep your focus on the art that you’re doing, the larger thing it can serve – selling records or whatever – that’ll happen on its own.”
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“I really thought that I could sustain a life in music, but perhaps I’d end up in Las Vegas backing Tom Jones or something.”
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The real culture war in 1980s America was waged by young people who were trying to create their own culture and jealously rejected corporate culture along the way.
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“‘Rightsism’ gives judges much more power than they deserve in a democracy,” Jamal Greene writes. “When U.S. judges face a conflict of rights, they cancel one right or the other.”
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Author Interview: “Of Thee I Sing” — Ben Railton on the Cycles of American Patriotism
“If you are more critical or try to highlight some of the worst things that happen in America, then you are un-American or anti-American.”
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