Arts Fuse Editor
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
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Straight White Men features plenty of conflict, but most of this wrangling comes in the form of tiresome, repetitive familial bickering.
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Now, we’re told, Trajal Harrell has been researching Butoh dance and hoochy coochy dance, hooking them up with the precursors of modern dance and slathering on generous amounts of gender theory.
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Despite its occasional confusions, this is poetry I will return to — to re-experience A.E. Stallings’ wit, wisdom, and word-smithing.
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The Window contains an inspired pairing — between singer Cécile McLorin Salvant and pianist-organist Sullivan Fortner.
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K.K. Downing does not trash Judas Priest or its legacy, but he gives, from his perspective, an honest and believable assessment of the group and his role in it.
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The show’s attempt at satire comes off as blunt and lecture-heavy at times, but the production still manages to be an engaging comedy of manners.
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In every meaningful way, The The’s return to the States, the band’s first tour in 16 years, was generous.
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“The work is now stronger having successfully balanced both the needs of the visual choreography and the sound.”
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Visual Arts Commentary: Three Temporary Public Art Pieces — A Dialogue with Art and Ourselves
Three bold new public art installations underscore the possibilities of visual and conceptual experiences in 21st century Boston.
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