Scott McLennan
“Farewell” is the shortest album in the series, but it is perhaps the most provocative in the way it calmly muses, philosophically, on the form that togetherness can take – as it exists and as it dissolves.
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“One of the positives to come out of this whole [pandemic lockdown] experience is that everyone found out what is important in their lives. Those of us who love music realized just how special it is.”
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“Episode III. The Fall” is the most thematically focused installment in the four-part I Am the Moon saga so far.
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Puscifer pulled off a great show of rock ’n’ roll farce, and that is saying something considering that the daily news feels ever more like scripted buffoonery.
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The high quality of the material presented thus far justifies Tedeschi Trucks Band’s decision to release these songs in small batches over the course of three months.
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The brilliant set was a celebratory exploration of Molly Tuttle’s bluegrass roots, albeit with a fresh perspective.
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The band Neighbor isn’t reinventing the wheel, but it’s not getting steamrolled by it either.
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Cave In’s new album is more than a return to form — it is a surging breakthrough.
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The Gravel Project respects its roots, but its new album demonstrates how a band can honor its influences without being smothered by them.
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“I may second guess how a song was recorded. But I can say that all that we have done has come from an honest place.”
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