Scott McLennan
For all of the music’s fury, protest, anguish, and raw brutality, Tattoo the Earth was a lovefest.
There’s little doubt at this point regarding the 26-year-old guitarist’s talent for pulling multiple influences into one cohesive, original sound.
“Farewell” is the shortest album in the series, but it is perhaps the most provocative in the way it calmly muses, philosophically, on the form that togetherness can take – as it exists and as it dissolves.
“One of the positives to come out of this whole [pandemic lockdown] experience is that everyone found out what is important in their lives. Those of us who love music realized just how special it is.”
“Episode III. The Fall” is the most thematically focused installment in the four-part I Am the Moon saga so far.
Puscifer pulled off a great show of rock ’n’ roll farce, and that is saying something considering that the daily news feels ever more like scripted buffoonery.
The high quality of the material presented thus far justifies Tedeschi Trucks Band’s decision to release these songs in small batches over the course of three months.
The brilliant set was a celebratory exploration of Molly Tuttle’s bluegrass roots, albeit with a fresh perspective.
The band Neighbor isn’t reinventing the wheel, but it’s not getting steamrolled by it either.
Cave In’s new album is more than a return to form — it is a surging breakthrough.
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