Ralph P. Locke
A delightful recording — and the first ever! — of arias from Hasse’s and Gluck’s operas about Tigranes and Cleopatra of Pontus. Plus four arias by Vivaldi for that same Cleopatra.
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This world-premiere recording of Gluck’s Demofoonte is stylishly performed, under the experienced hand(s) of conductor/harpsichordist Alan Curtis.
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Cross-gender disguises and comic banter liven up the melodrama in this presentation of Antonio Cesti’s famous opera, thanks to a spirited and virtuosic traversal by a mostly Italian cast.
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The composer of Les huguenots and L’Africaine was already an accomplished master at age 26, as this first-rate recording reveals.
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At this point in his career, Mayr is contributing to the development of the musicodramatic conventions that would set the stage for the masterpieces of Donizetti, Bellini, and Verdi.
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Attention is being paid today to talented composers who have been sidelined or disdained because of their race, ethnicity, religion, or sexual orientation. Reynaldo Hahn qualifies on several counts.
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Just in time for Passover: another fine world-premiere Rossini recording, the 1827 French version of his Moses-in-Egypt opera.
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Performed 1600 times in Paris, then forgotten, Hérold’s brilliantly witty, Le pré aux clercs shines again in a splendid recording.
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The world-premiere recording of a first rate production of a brilliant, fantastical opera, unstaged and unheard since 1914.
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This splendid world-premiere recording proves that, as an opera composer, Johann Simon Mayr had “the whole package.”
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