One of Saint-Saëns’s most important operas, Proserpine, has recently been given its world-premiere recording, and the result is a revelation.
Ralph P. Locke
Opera Album Review: Now Hear What Berlioz and Wagner Admired — Gaspare Spontini’s “Olimpie” in a Stupendous New Recording
This world-premiere recording of the 1826 Paris version of Gaspare Spontini’s Olimpie makes a powerful case for a composer much admired in his own day.
Opera CD Review: Wagner’s “Die Meistersinger,” Sung in Italian, Beautifully, with Conversational Ease
A 1962 concert performance from Radio Italiana, now on CD, shows how delightful Wagner can sound without barking and slow wobbles.
Opera Review: Beyond the “Barber of Seville” — New Recordings of Two First-Rate Forgotten Operas by Rossini
Beethoven reportedly told Rossini to stick to writing comic operas. But new recordings of two of Rossini’s major serious operas bring great pleasure to the listener—and let us hear some splendid young singers.
Classical Music Commentary: Poetic Narratives in the Concert Hall, and a New Recording of Dvořák’s “The Spectre’s Bride”
A reflection on the whole tradition of combining longish narrative poems to music, especially for performance in a concert hall by large forces (e.g., singers and orchestra).
Classical Music Review: “Widma” — An Imaginative Polish Experiment
This recording challenges our settled sense of what art music, in conjunction with colorful spoken and sung verse, can accomplish.
