Prince of Players is based on a play that also yielded the movie Stage Beauty, and it’s one of the best new operas to come along in years.
Ralph P. Locke
Opera Album Review: Rossini’s Pre-fab Opera, “Eduardo e Cristina,” Turns Out to Be First-Rate
The practice of re-using large chunks of an opera for a new plot and new words may sound implausible to us, but in Rossini’s hands the result is delightful and surprisingly coherent.
Opera Review: Beethoven’s “Leonore” — Upcoming Performances in New York City
Music lovers should seize this rare opportunity to see Beethoven’s first (1805) version of Fidelio, complete with a reconstruction of Florestan’s original aria.
Opera Album Review, Oscar Wilde, Part 3 –A Spiffy “The Importance of Being Earnest”
Odyssey Opera revels in the glittering wit and touching moments of this full-length chamber opera by Mario Castelnuovo-Tedesco, better known for his Hollywood film scores and some wonderful guitar pieces.
Opera CD Review: The Greatest Spanish Opera? — A New Recording of Enrique Granados’s “Goyescas”
Imagine the excitement of experiencing, for the first time, an opera by one of the greatest composers to have come out of the Spanish-speaking world!
Opera CD Review: A Young, Immensely Assured Joan Sutherland in Weber’s “Euryanthe”
The oft-neglected “other” great opera by Carl Maria von Weber, splendidly performed in 1955 and in remarkably clear and vivid sound. I hope this opera’s day will yet come.
Classical Album Review: Poisonous Delicacy — Kurt Weill’s “Seven Deadly Sins” and the Wit of Dorothy Parker
I had never heard of Marcus Paus before, but his work I Hate Men, set to witty verses by Dorothy Parker, proved to be one of the most entertaining and engaging pieces I have heard in recent years.
Opera Review: Pauline Viardot’s and Ivan Turgenev’s First-Rate Fairy Opera Rediscovered
Colorful, characterful, and full of worldly wisdom, The Last Sorcerer—by a skilled and imaginative composer, to a text by the great Russian novelist— receives a superb world-premiere recording, with Met mezzo Jamie Barton and bass-baritone Eric Owens.
Opera Album Review: Muslims vs. Christians in 10th-Century Spain, Portrayed in an 1881 Gounod Opera (World-Premiere Recording)
Gounod was no mere purveyor of gentle sentiments. This 1881 opera, superbly performed, shows plenty of drama and grit.
Opera Album Review: Offenbach’s “La Périchole,” by an All-French Cast, Combines Zest and Elegance
This is one of the zippiest, most life-affirming opera recordings I have heard in a long time. Well, this puts it a bit too blandly, because the work’s social satire also targets the smug self-satisfaction and careless cruelty of the powerful.