Paul Robicheau

October Short Fuses – Materia Critica

October 7, 2021
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Each month, our arts critics — music, book, theater, dance, and visual arts — fire off a few brief reviews.

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Concert Review: King Crimson and The Zappa Band — Carrying On the Legacy

September 13, 2021
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Both King Crimson and The Zappa Band made the best of treating old catalogs as historical repertory.

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Concert Review: Newport Jazz Festival 2021 — A Musical Affirmation

August 3, 2021
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Both Newport festivals rose to the challenge of restoring live music in a year that made it difficult and welcome.

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Concert Review: Newport Folk Festival 2021 — A Very Nontraditional Year

July 30, 2021
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Folk On both exceeded and tempered expectations.

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Jazz Album Review: “Mingus at Carnegie Hall” — A Deluxe Edition of a Wondrous Evening

July 25, 2021
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This re-release features 72 minutes of unreleased music. Nearly every track on the two-hour set pushes the 20-minute range, with results more exhilarating than exhausting.

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Rock Album Review: Black Midi — A Dizzying Mashup

June 4, 2021
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If you’re up for a lofty challenge, the experimental British rock outfit Black Midi is more than poised to fill the void.

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Rock Album Review: The Tragically Hip — In Peak Form

May 30, 2021
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Pain and catharsis wind through Saskadelphia.

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Jazz Album Review: Charles Lloyd & the Marvels — Still Telling Genre-Blurring Stories

March 17, 2021
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It’s rare to find a band that so naturally assimilates its individual voices to strike a collective palette.

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Jazz Special Feature: Chick Corea (1941-2021) — Memories and Impressions

March 5, 2021
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Fuse critics pay homage to Chick Corea performances and recordings that they found memorable.

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Folk/Pop Album Review: “The Burnt Pines” — Seamless Cross-Cultural Chemistry

February 3, 2021
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This surprisingly seamless record belies its logistical shuffles and players’ cultural differences with a relaxed sonic identity.

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