Paul Robicheau
The Newport Folk Festival’s biggest secrets were cleanly hidden and tightly executed with the day-capping revelations of Paul Simon and Joni Mitchell.
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Northlands lacks the infrastructure, diversity, and history of some of New England’s finest music fests, but its two-day debut provided a rustic oasis for jambands.
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As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. Please check with venues when uncertain whether the event is available by streaming or is in person. More offerings will be added as they come in.
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As the age of Covid-19 finally wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. Please check with venues when uncertain whether the event is available by streaming or is in person. More offerings will be added as they come in.
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Solid Sound is like a family picnic for stylistically open-minded musicians and fans alike within the brick-mill infrastructure of MASS MoCA.
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Big Thief is a largely somber folk-rock outfit fronted by introspective singer/songwriter Adrianne Lenker that doesn’t care much about showmanship.
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This is the quintessential Club d’elf album, smartly arranged and surprisingly accessible without losing any of the group’s improvisational edges or exotic breadth.
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Forty years down the line, looking both backward and forward with its latest formation, Gang of Four still knew how to live a bit dangerously.
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Both experimental and welcoming, the double album proves more spontaneous in feel and expansive in style than past Big Thief outings.
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Canadian singer/songwriter Allison Russell’s Outside Child made two lists. And so did Little Simz’s Sometime I Might Be Introvert.
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