The dance revolution of the 1960s and 70s seems to be making a comeback as dancers think about making their performances less artificial, more “natural.”
Mary Paula Hunter
A passion for authenticity characterized this mesmerizing program from beginning to end.
Here was another (all-too) typical example of ballet companies reinforcing a patriarchy that hardly reflects the number of women in their ranks.
The Night Watch supplies a powerful kickoff for the Gamm Theatre’s 2019 season.
Our critics pick some of the highlights of the year in dance.
An intriguing cross-disciplinary concept gave birth to a pallid, underrehearsed production.
We were reminded of how difficult it is to create an evening-length’s choreography without a storyline, musical structure, or a well-developed concept
The WTG production succeeds largely because it heightens the absurdity of a play that takes a comic look at catastrophe.
Perhaps the theatre of millennials will resemble Reality TV, resistant to suggestive metaphor and the rewards of complex narration.
A quartet of critics serve up the highlights in dance for 2017.