The late Terrence McNally was more than just a masterful playwright. He also forged new roads in musical theater.
The main problem with Gloria is its expository storytelling. Events are mostly announced and described rather than recreated.
Our theater critics pick some of the outstanding productions of the year.
Dave Malloy’s musical version of Moby-Dick shows promise, but he needs to trim plenty of blubber.
Tony Kushner attempts a re-write of his first professional play. The results are decidedly mixed.
Come From Away is more than just a rousing and heart-warming 100 minutes of theatrical entertainment. It’s a poignant reminder, and celebration, of what we’re all capable of as people.
What if you took canonical Western works and reimagined them from an African perspective?
Dramatist Tracy Letts’s new play is raw, funny, and intensely personal.
This is a non-union production, and that means the actors are being paid a fraction of what they would be getting if the tour were offering performers a union contract.
Jeremy O. Harris’s bold new play is wildly provocative and hysterically funny.