Beetlejuice may not be the blockbuster its creators are hoping for, but it is occasionally humorous and rarely dull.
The new Broadway revival of Kiss Me, Kate removes much of the objectionable material — and a lot of the fun
Broadway hasn’t seen a play this harrowing yet eminently enjoyable since August: Osage County.
While Beth Genné proffers a terrific take on dance and its social context, she exhibits a shaky grasp of musical-theater history.
Ethan Mordden’s volume openly defies anyone to dismiss the American musical as mere fluff.