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Homophobia may not have been behind Freddie Mercury’s decision to keep the location of his ashes a secret, but it hardly ruins Mercury’s Ashes.
Read MoreMurray Talks Music shows how brilliant Albert Murray could be even when he didn’t have time to polish his prose.
Read MoreParadise Lost’s Replay is nothing if not exuberant.
Read MoreMany historical dramas are content to use the past as a lens through which to view the present, but “Hand in Hand Together” does more than explore how conflicting ideologies influenced the creation of modern Israel. Dramatist A. B. Yehoshua explores the other possible routes history may have taken.
Read MoreIn his satire “The Golden Dragon,” Roland Schimmelpfennig holds his funhouse mirror up to “theater-people”: be they artists, audience, teachers, or students.
Read MoreAccording to Shelby Steele, white liberals “dissociate” themselves from the past sins of white America by subscribing to the “poetic truth” that the United States is “characterologically evil.”
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Tenor Mathias Vidal shines, as does the period-instrument orchestra, in the rarely heard, trimmer version of 1761, on the Chateau’s own new award-winning label.
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Jesse Colin Young’s best material is worthy of favorable comparisons to Tom Rush, Gordon Lightfoot, and the unrelated Neil Young.
Read MoreThe $3 million American Repertory Theater version of Finding Neverland remains a work in progress, a “tryout” as it has been dubbed, and it feels just like that.
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In his mostly successful filmic adaptation of Martin Eden, Italian director Pietro Marcello transposes with ease London’s Oakland novel to the seaport of Naples.
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