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Missional zeal from the Fort Smith Symphony and an electrifying performance from the Cincinnati Symphony Orchestra.
The Boston Philharmonic Youth Orchestra’s first appearance of the season presented canonical selections without a hint of complacency or apathy.
If George Whitefield Chadwick had been born in, say, London or Munich, he might be better known today than he is.
The Tonhalle-Orchester Zürich recording of Mendelssohn’s Symphonies doesn’t cast the composer as a radical, but the effort highlights the strengths of his music and finds ways to put distinctive interpretive stamps on several of these scores.
Florence Price’s voice and the richness and complexity of an almost-entirely neglected body of symphonic music by Black American composers can be heard in this excellent recording.
The deeply personal nature of the music’s narrative drew some extraordinary music from Liszt’s pen.
In the Piano Concerto, Ferruccio Busoni seemed to want to have the final word in the tradition of the Romantic concerto.
Overall, the In the Fiddler’s House concert captured the infectious joy of this wondrous musical genre.
Music Commentary/Preview: 2016 Fall Orchestral Season Overview
In the six years I’ve now been reviewing for the Fuse, I can honestly say that the 2016-17 season looks to be one of the liveliest in recent memory.
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