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Sir Simon Rattle revisits the music of Benjamin Britten and Elim Chan once again draws on her remarkable ear for detail.
A collection that provides a fascinating bit of context for how Andris Nelsons has developed as a conductor over the last decade-plus, and an honest, mostly flattering, tribute to a much-loved conductor, the late Mariss Jansons.
The overall prognosis for the Boston Symphony Orchestra is good. While there remains room for growth and improvement both artistically and financially, the Orchestra has the advantage of a solid musical reputation and a strong core of patrons who support its mission.
Violinist Joshua Bell and pianist Sam Haywood delivered a highly entertaining and substantive (if too short) Sunday afternoon recital.
After intermission, Mr. Lang closed the concert with Frederic Chopin’s Twelve Etudes (Op. 25). This is music in which Mr. Lang is completely in his element, and his performance of these fearsomely difficult pieces was a marvel of extraordinary technical skill.
This was an epic performance of an epic piece, steeped in Brucknerian character.
Next season’s stale programming certainly derives from the BSO’s lack of a music director guiding and shaping the overall course of the season.
Andris Nelsons drew playing from the BSO that reveled in Alban Berg’s sense of color and musical drama.
The Schumann First formed the capstone to conductor Asher Fisch’s conspicuously satisfying Boston Symphony Orchestra subscription series debut program
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