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In this novel Nana Kwame Adjei-Brenyah creates a terrifying future world. I’m glad that he chose to anchor that creation so powerfully in the shameful present.
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Writer Jacqueline Gay Walley has become adept at probing the unpredictable interaction of self and others, transformations that imprison as well as liberate.
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Starstruck is the rare rom-com that will appeal to audiences who aren’t just fans of the genre.
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The “Real” Emily Dickinson never materializes, but the “Real” Mabel Loomis Todd does — and it’s a sometimes shocking and sad story.
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With its wide-ranging textual and musical materials, this “church parable” stands as one of Benjamin Britten’s most striking creations.
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Manel Fortià’s album of his Spanish-tinged compositions is meant to wake us up to what the bassist can do.
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This is no run-of-the-mill supernatural witch movie.
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Crooked Tree is the Molly Tuttle record we’ve been waiting for, one that is firmly rooted in bluegrass, but imbued with her own sharp style as a guitarist, singer, and songwriter.
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At House of Blues, Fontaines D.C.’s brooding, bristling music was offset by shifting swatches of amber and purple lighting amid the shadows, casting the musicians in mysterious terms.
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The veteran band from Louisville, Kentucky, kicked into the millennium with a wild and woolly mix of Southern rock, alt-country, space-prog, and electro-funk that grew weirder over time.
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