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At times, David Thomson’s movie criticism resembles the approach of old-school British critics (the Walter Pater or John Ruskin variety) who didn’t mind occasionally cutting loose from being erudite to waxing lyrical.
Arts Fuse critics select the best in music, film, theater, visual arts, author readings, and dance that’s coming up in the next week.
Women are the dominant force in “Amaluna.” They command the evening’s whirligig of a stage as aerialists, clowns, musicians, dancers, and contortionists.
What is perhaps most astonishing is that the Lorelei Ensemble seems, in its current formation, like the most natural of phenomena.
The reason these films are in this series is because of their color, and they do not disappoint.
The life of a designer is a life of fight: fight against ugliness. — the late Massimo Vignelli
Bay Staters, be warned – we are living in a state without an official rock song. Luckily, if we pitch in, we can help the government solve this problem.
Eschewing harrowing realistic description, Jean Echenoz adopts a jocular sardonic approach to the most gruesome battlefield realities.
How much can a “native” artist adopt from Western modernism before his arts loses its tribal identity and, along with it, its appeal to an outside market?
Fuse Tech interviews will look at at start-ups from Greater Boston that are using technology to invigorate the future of the arts, culture, and entertainment.
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