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The Arts on the Stamps of the World — May 12

May 12, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

Music Feature: Shor’ty Billups — The Last Boston Soul Man

May 11, 2017
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A celebration of a man who is one of the only remaining Boston R&B and soul artists who recorded in the 1960s.

Dance Review: A Ratmansky Evening at New York City Ballet

May 11, 2017
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Two works by one of the most-in-demand choreographers of our time received powerhouse performances from the New York City Ballet.

Music Appreciation: The Sadies — Still Going Strong on “Northern Passages”

May 11, 2017
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The album Northern Passages has left me without any doubt that The Sadies are worthy of every iota of praise they have received.

The Arts on the Stamps of the World — May 11

May 11, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

Dance Review: Classical, Three Ways, at Boston Ballet

May 10, 2017
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All of three of these ballets adapted the classical vocabulary and demonstrated that constant evolution is what keeps classicism alive.

Theater Review: New York Stage Round-up — “Indecent,” “Sweat,” and “Bandstand.”

May 10, 2017
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Sweat and Indecent serve as forceful reminders that art matters — as if proof was needed.

The Arts on the Stamps of the World — May 10

May 10, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

Theater Review: Tennessee Williams Inspires “Desire”

May 9, 2017
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The source material  — and the skills of Tennessee Williams’ posthumous collaborators — provides an evening of compelling theater.

Visual Arts Review: “Matisse in the Studio” — Collectibles and Creativity

May 9, 2017
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We are given a priceless opportunity to see how Matisse’s mind worked and the ways his creative process unfolded.

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