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WATCH CLOSELY: Anthony Bourdain — An Exhaustive Passion

June 12, 2018
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In contrast to the contrived food shows of today, Anthony Bourdain brought class and vigor as well as creativity to his fascinating stories of food and travel.

CD Review/Preview: John Prine — A Teller You Can Bank On

June 11, 2018
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John Prine’s music on The Tree of Forgiveness is alert and nimble – not at all a retreat to the folkie bar.

Rethinking the Repertoire #25: Esa-Pekka Salonen’s “Foreign Bodies”

June 11, 2018
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For a composer who hails from Finland but found his spiritual home in Southern California, Esa-Pekka Salonen’s is a singular musical voice.

Theater Review: “Calendar Girls” — A Warm Crowd-Pleaser

June 9, 2018
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Apart from a few weak elements, GBS’s Calendar Girls is a well-acted, well-staged comedic romp filled with wit, warmth, and genuine insight.

Rethinking the Repertoire #24: Charles Villiers Stanford’s “Songs of the Fleet”

June 9, 2018
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Composer Charles Villiers Stanford’s best traits were formidable indeed.

Film Review: Director Bill Gunn — Two Restored Gems at the MFA

June 8, 2018
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A chance to see two important works by pioneering African-American filmmaker Bill Gunn.

Jazz CDs Review: Thumbscrew’s Yin and Yang — “Theirs” and “Ours”

June 7, 2018
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Perhaps the idea is for the listener to come up with their own ideal blend, sort of a mix and max approach regarding the strengths in each disc.

Rethinking the Repertoire #23 – Henry Cowell’s Piano Concerto

June 7, 2018
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Henry Cowell’s was an important, if now often forgotten, voice in 20th-century music.

Book Review: “Convenience Store Woman” — Selling on Empty

June 6, 2018
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Convenience Store Woman is an achievement — a satiric look at a mind that is intent on remaining empty.

Rethinking the Repertoire #22 – Florence Price’s “Mississippi River Suite”

June 6, 2018
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Composer Florence Price’s lack of acceptance into the American canon is shameful.

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