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A quartet of standout movies, the best of the just ended Provincetown Film Festival.
The privilege Edith Wharton’s characters swim in has not disappeared. If anything, it’s expanded farther into the social stratosphere.
Pepperland serves up the expected tie-dye nostalgia, keyed to a half-dozen Beatle tunes from the classic album.
Nancy is mystifying, but in this case the inexplicable has its fascinations.
Ethan Mordden’s volume openly defies anyone to dismiss the American musical as mere fluff.
Summer 1993 is provocative, both for the raw depth of the emotions it evokes and the directness of its storytelling.
Arts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.
Having a father in prison meant radical changes in our everyday lives.
Do the games of the Marquise and Valmont still have the same old sinful fire and political relevance?
Jazz Commentary: Greg Hopkins Big Band at Ryles — Whither Big Bands?
At this time in the Boston jazz scene, there are no ongoing spaces for big bands and, predictably, the number of such ensembles has shrunk.
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