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These films will no doubt raise your spirits in the dead of winter.
Errol Morris allows Stephen Bannon to indulge in his vision of how he will save America, with Donald Trump as his agent and himself as the genius manipulating events.
I thought I’d never seen such a thrilling example of how dance and music can combine and feed each other.
I strongly advise you to explore the wizardry of Manual Cinema — its potential is considerable.
The Oregon Shakespeare Festival production of Othello lacks a tragic dimension not because it highlights Othello’s “Otherness,” but because it eschews any vestige of grandeur or nobility.
2018 saw the release of four ambitious and powerful jazz releases driven by poetic texts.
Mary Oliver’s poetic vision reaches back to the American transcendentalists: it encourages us, by demanding that we pay attention to our now threatened natural world, to find a moral compass.
M. Night Shyamalan turns the trilogy topper he needed to make after Unbreakable and Split into a preposterous group therapy session.
Director A. Nora Long’s decision to collaborate with an all female-identifying design team and crew underscores her commitment to a feminist vision.
Classical Music Commentary: Poetic Narratives in the Concert Hall, and a New Recording of Dvořák’s “The Spectre’s Bride”
A reflection on the whole tradition of combining longish narrative poems to music, especially for performance in a concert hall by large forces (e.g., singers and orchestra).
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