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All three are singer/songwriters whose individual gifts mesh seamlessly with soaring harmonies and a like-minded empathetic view of the world.
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This is free jazz perhaps, but it never sounds frantic, wild, or abandoned.
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Everyday Life and Other Odds and Ends is admirable because it takes contemporary theater into fresh territory — the slow paralysis of the body and the demands this decline makes on caregivers.
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Dear reader, do enjoy a second season of Bridgerton’s ornate balls, lush landscapes, and 19th century flirting.
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Rather than the usual story of assimilation, John Domini gives us a deftly written narrative of return, self-discovery, disillusionment, personal metamorphosis, and ultimately, rejection.
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Marvelously accomplished albums from American mezzo-soprano Joyce DiDonato and Canadian soprano Barbara Hannigan.
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As the age of Covid-19 finally wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. Please check with venues when uncertain whether the event is available by streaming or is in person. More offerings will be added as they come in. Film The Children’s Republic (2012) March…
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Playing on their strengths and working within the limitations of each medium, both The Dropout and Bad Blood pull us into the very American story of Theranos’ and Holmes’ rise and fall.
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Mariama Diallo’s film is a subtle, sure-handed thriller that nevertheless delivers a stunningly deft commentary on the enduring horror of racism and sexism.
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Human Resources isn’t for everyone. It’s even weirder than Big Mouth (which is saying something), though this spinoff series still packs, at times, the same heartfelt punch.
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