Posts
Hellbender is not just a fabulous indie film about witches, it’s also an original coming-of-age horror movie.
Legendary percussionist Bill Bruford’s recorded output reveals him to be a restless innovator who went from one band to another so he could learn more about his instrument and about himself as a musician.
Crescent gives us the first five songs of the I Am The Moon suite and runs about 35 minutes. Let me rephrase that: it runs about 35 perfect minutes of music.
It was particularly delicious to see George Washington get his comeuppance.
As the age of Covid-19 finally wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. Please check with venues when uncertain whether the event is available by streaming or is in person.
We’d returned to the New Orleans Jazz & Heritage Festival. We’d ridden a paddle-wheeler on the Mississippi River. It was good to be back, and why we’ll go back every chance we get: to life.
If the filmmakers are going to delve into the Jazz Fest vaults, how is it possible to show only a few seconds of Professor Longhair and nothing of James Booker, the Meters, the Neville Brothers? Not good.
This is the definitive recording of William Bolcom’s rags, complete or excerpted: a triumph for the pianist and the composer – as well as a grandly spirited, accessible, inventive journey for any who care to join them on it.
Throughout, Gen Z, Explained does its best to help readers relate to its protagonists by placing them in Gen Z’s shoes.
THE ARTS FUSE TURNS 15! — Support the Magazine
Please help us bring the arts and culture community roaring back to life by supporting this magazine and its independent coverage.
Read More about THE ARTS FUSE TURNS 15! — Support the Magazine