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“Ukrainian culture — Ukrainian language, Ukrainian books, literature, poetry, arts — is the testimony of our existence through all these centuries … It is still here, and we try to save it.”
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The Stone Age is only about the gossip, to the point where even when something (potentially) true comes along, it still reads like trash.
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Rodin in the United States: Confronting the Modern is the show of the summer in the Berkshires — remarkably extensive, with 25 works on paper and 50 sculptures in terra cotta, plaster, marble, and bronze.
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As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
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Earwig taps into a diabolical Freudian cabinet of uncanny curiosities and symbols.
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Shakespeare’s text has been streamlined for easy consumption on a summer’s evening — there’s no intermission, lots of physical comedy, and a party vibe.
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New recordings serve up fine performances of music from Latin America, Brazil, and post-1918 England. And a novel sends its main character back two centuries into Mozart’s The Marriage of Figaro.
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American-ness in music is impossible to define and constantly in flux, yet the threads that connect it all together – at once beautiful, tragic, humorous, ironic, whimsical – are all somehow recognizable.
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Taken together, this is a release that showcases both the Rotterdam Philharmonic Orchestra and its chief conductor – as well as their repertoire choices – in a brilliant light.
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Angus Robertson has written a thoroughly enjoyable history of Vienna that is both accurate and entertaining.
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