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Abbas Kiarostami was the most important filmmaker to come out of the New Iranian Cinema movement, which spawned works that became staples in film festivals worldwide from the late ’80s on.
Inevitably, by recasting Petra von Kant as a version of Rainer Werner Fassbinder himself, François Ozon has rendered the film self-consciously cinematic.
In World Wide Pop, the London pop collective looks for peace in the digital cosmos, despite intimations of coming oblivion.
Faleeha Hassan’s assessment of the damage America caused — through the ‘good intentions’ of regime change — may surprise many who depended on the mainstream media to learn about what happened in Iraq.
Neither book is primarily directly about the war itself. Rather, in sometimes oblique ways, they show the price paid by Ukraine’s non-combatant civilians.
This version of Beach Road Weekend marked a huge step to the event joining Newport Folk and Solid Sound among New England’s marquee mid-size festivals.
This dark and jazzy noir drama would be compelling if it just focused on dramatizing a jazz artist’s quest for artistic perfection.
For all of the music’s fury, protest, anguish, and raw brutality, Tattoo the Earth was a lovefest.
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