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Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
First presented in 1813, “Les Abencérages” displays the mastery and inventiveness of the renowned composer of the opera “Medea.”
Stephanie Bishop does a great job withholding information and she is also good at tying together the narrative’s many loose ends.
Singing the body electric in “De Humani Corporis Fabrica.”
Without “The Wizard of Oz,” it’s entirely possible that the David Lynch we know and love wouldn’t exist.
“Time Flies” offers approximately two hours of outstanding jazz, created by true masters with no other agenda than to play their asses off with the tape rolling.
Congratulations to Gloucester Stage’s new artistic director Rebecca Bradshaw for mounting the regional premiere of this interesting script, a kitchen sink comedy/drama that is anything but routine.
A new CD brings us marvelous and varied works by an American master composed between the ages of 88 and 93 (and a mere child at 55).
Arts Commentary: SAG-AFTRA On Strike — Not Just About Jobs, But the Soul of American Culture
The battleground is where technology meets art meets finances.
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