Posts
The battleground is where technology meets art meets finances.
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Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
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First presented in 1813, “Les Abencérages” displays the mastery and inventiveness of the renowned composer of the opera “Medea.”
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Stephanie Bishop does a great job withholding information and she is also good at tying together the narrative’s many loose ends.
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Singing the body electric in “De Humani Corporis Fabrica.”
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Without “The Wizard of Oz,” it’s entirely possible that the David Lynch we know and love wouldn’t exist.
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“Time Flies” offers approximately two hours of outstanding jazz, created by true masters with no other agenda than to play their asses off with the tape rolling.
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This week’s poem — Jeremy Ray Jewell’s “Colorado.”
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Congratulations to Gloucester Stage’s new artistic director Rebecca Bradshaw for mounting the regional premiere of this interesting script, a kitchen sink comedy/drama that is anything but routine.
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Film Commentary: “How I Learned to Start Worrying and Fear the Bot”
Long before the current writers’ strike, Hollywood was sounding the alarm about the dangers of AI.
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