Theater
Richard Nelson does not compel us to pay attention to his characters’ psychological disclosures, and his reluctance to underline is refreshing.
In truth, Three is not much of a play at all, but an anthology of “very special episodes” of an unproduced television or web series.
It is worth your time watching Shakespeare & Company’s two fine actresses come to an understanding that is cathartic and real.
“I was/am struck by the women in The How and the Why. I hadn’t seen them onstage before. Nor had I quite heard from them before.”
Rarely are Boston’s stages graced with a Shakespeare production that reaches this high a level of accomplishment.
With Julius Caesar, Bridge Repertory shows that it can assemble a strong ensemble and put together a memorable sensory experience.
An amiable musical revue about two guys who kick up their heels after global warming finally boils over.
At first, The Submission comes on as an agreeably edgy satire of the automatic embrace of identity politics and political correctness in the academy and popular culture.
The Annual Francis Davis Jazz Critics Poll at Mid-Year: Warming Up a Riff — How It Happened, and Why It Matters