Theater
Culture Clash’s view of America will discomfort, which is all the more reason that I urge you — strongly — to attend.
George C. Wolfe’s 1986 collection of vignettes that spoof and celebrate black stereotypes occasionally plays like reruns from the ’90s TV show In Living Color.
In 1939, Clifford Odets wrote that ‘we are living at a time when new art works should shoot bullets.” Fat chance of any shots coming from our voluntarily disarmed theaters.
This exhilarating Tristan & Yseult shakes us out of our role as passive observers and reminds us of the euphoria and the heartbreak love can bring.
Celeste Oliva’s performance is so raw, we experience every doubt, every fear, and watch her confidence slowly evaporate under pressure.
The Lyric Stage is presenting a moving production of Lynn Nottage’s cautionary tale about strength of character tragically misdirected.
In dramatist Nicolas Billon’s enigmatic but involving Greenland, the audience is called on to actively reconstruct what occurred in the characters’ lives.
The King of Second Avenue’s one-joke shtick wears out long before the end of this 90-minute musical.
The actors in the central roles are extremely fine, particularly Kathleen McElfresh’s beautifully nuanced performance as the anguished Bridget O’Sullivan.
May Father Comes Home From the Wars (Parts 1, 2 & 3) fill the Loeb Drama Center to the brim and then some.
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