Theater
Despite the well-intentioned efforts of the cast, Eli Wiesel’s words were lost in space.
The beauty of David Cromer’s production of Come Back, Little Sheba that by focusing on the play’s intense psychological undercurrents he minimizes its cultural mustiness.
Two current productions make vivid cases for the strength of Canadian theater.
Those who want to experience the brilliance of Bertolt Brecht at its mellowest should head down to Yale Rep’s lively and moving production of The Caucasian Chalk Circle.
Actors’ Shakespeare Project’s superb production of God’s Ear honors this beautiful text.
Don’t miss the “joyous shout and ringing cheer” of this delightfully boisterous version of The Mikado.
“It is just when we delve deeper into the sorrows of our lives, the sorrows we have all endured, that our humor saves us.”
The problem is that John August’s book for the musical lacks most of what made his screenplay for the 2003 film so emotionally resonant for so many.
From The Deep suggests that Boston’s theater community would be better served if it put more of its resources into presenting the work of local literary talent.
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